Telling Stories

Every brand has a story to tell. In today’s era of narrative-driven marketing, that’s truer than ever.


And every brand also has Stories to tell. The growing importance of Instagram and Facebook’s Stories format for mobile-driven storytelling – for consumers and brands alike – has made it a crucial channel for delivering messages in new and innovative ways.

Stories is increasingly becoming the format that consumers use across these critical social channels. It’s fun, vertical, immersive and totally modern. It’s a way of using quick-hit visual excitement to engage and enchant people. It’s how your customers are communicating with their friends and documenting their journeys.


In fact, over 500 million accounts use Instagram Stories daily and more than 300 million use Facebook and Messenger Stories daily.


Businesses are taking note, which is why they’re turning to Stories to help drive marketing results. There are more than 2 million monthly active advertisers on Stories ads, and they’re using this format to drive results across the customer journey from awareness to sales.

But many of the old rules of visual storytelling don’t apply to this emergent format. Stories has changed consumer behavior, so brands need to deliver their messages in fresh ways that fully embrace its narrative power. It’s a new canvas. Some have conquered it. Others are experimenting and watching their results. The bible of best practices is still being written.

So, whether you’re just getting started with Stories or you’re an old hand at it with a full year’s worth of know-how, you’ve got to be ready to maximize the creative impact of your campaign.

Let's take a dive into five of the imaginative ways leading brands around the world are making Stories ads their own.

THE VERTICAL CANVAS

Stories are mobile. And to create an immersive video experience on mobile, you need to fully embrace the vertical format because, well, that’s the way that people hold their phones.

But the 9x16 vertical format doesn’t simply mean you want to chop a segment out of your traditional landscape videos. That just won’t work. You’ve got to get creative and understand what people expect in vertical.

Consider, for example, what these Instagram creators have to say about vertical video.

Let’s cover a few basics.

First off, consider what was the inspiration behind many of the first vertical executions – selfies. Vertical works best when it zeros in on a single item that fills the frame. It could be a person. Or it could be your product. Tight close ups that might seem excessive on a bigger screen really become engrossing on mobile. More space and fewer distractions.

Vertical also requires you to think up-and-down instead of side-to-side. The viewers' eyes are interested in what is coming down from the top of the screen or up from the bottom. The flow of movement in your Stories should incorporate this. After all, that’s why the key command is “swipe up” and not “swipe right.”

When U.K. retailer Marks & Spencer built a Stories campaign around its “Our Best Ever Burger” competition, it took full advantage of the vertical canvas. Instead of shooting the burger from above, it took a side view, utilizing the height of the vertical layout to show the height of a well-dressed sandwich. It then let the user see the way everything got put together, with bun, lettuce, tomato, beef, cheese, pickles and bacon dropping down from the top of the screen to create the best burger.

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Fashion rental subscription service Le Tote saw the vertical format as the ideal way to show models in its clothes. Full body shots go head-to-toe from the top to the bottom of the screen, using movement and a bright background to make each outfit stand out. Cuts to closeups show different pieces and the attitude of the models, while providing a canvas for native ad elements like stickers and a clear call-to-action around the offer.

SPEED IS KEY

Quick cuts and fast-moving creative fit the mobile format. That’s why many successful Stories advertisers use speed as a creative tool.

People consume Stories quickly. Plus, on average, top-performing ads in Stories were shorter than lower-performing ads. While you should let the quality of your content drive the length of your Stories, it really pays to be succinct and to get to the point immediately.

What does that look like?

Try different lengths. A little testing of, say, 3-, 6- and 15-second clips will give you a sense of what works best for your particular creative and messaging. What’s important is you get to the point quickly – this is not a format that lends itself to a lot of set-up.

And speaking of quickly, get your brand in as early as possible. Title cards, logos and using brand storytelling upfront will help support things like brand recall.

HelloFresh, for example, starts off its Stories ad with its logo on one of its signature delivery boxes, so people know immediately what the ad is about. Users tap to open the box and then tap to enjoy the ingredients put together into a tasty meal. It all happens in just a few seconds, ending with a call-to-action for the viewer to swipe up on the offer.

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Reservation platform OpenTable, meanwhile, kicks off the O of its logo before using succinct and direct language – Find a restaurant. For any occasion. – to highlight its value proposition. In less than six seconds, you know the brand, what it stands for and what your benefit will be.

SOUND IS KEY

You’ve no doubt heard that your mobile Stories should be able to be understood with the sound off. That’s a standard best practice for a lot of fast-format digital video. But here’s a little secret: Sound can also make a big difference.

In fact, many people view Stories with the sound on. Sound also affects conversions. To understand the impact of sound on performance, Facebook conducted a conversion lift study comparing performance of ads with sound versus the same ad creative without sound. It found that 80 percent of the time the creative with sound outperformed the no sound creative for conversion metrics.

What’s the best way to delight with sound?

Many brands turn to music. Coca-Cola Mexico used a fun cut from Kevin Johansen’s “Guacamole” to link its “Comida Rica” Stories ads to its bigger campaign about how the soft drink goes with delicious food. Note as well how the spot uses playful carousel images to underscore the lighthearted soundtrack.

For Halloween, Butterfinger played off the sounds of the season – spooky tunes, a lightning storm, the flapping of bat wings. A simple spot for candy-driven festivities, but sound plays an important role in making the brand stand out.

Another option? Voiceover, especially when you want to add more information about your product or service.

THINK IN CHAPTERS

Instagram and Facebook Stories themselves are often divided into a series of visuals. As a result, viewers are often quite receptive to ads that build their narrative through multiple quick scenes or chapters.

In other words, two (or more) scenes are better than one.

But before you turn your Stories into Dickens novels, remember that it is all about your narrative arc. Be judicious about the lengths of individual scenes, not to mention the length of the overall execution. Your goal: allow on-the-go Stories viewers to take in as many chapters of the Stories as possible.

Wrigley’s 5 Gum did this by creating five-chapter stories in the form of a five-second countdown. Each execution – using images edited down from the brand’s TV spots – tells the story of a potentially life-altering scenario like leaning in for a first kiss. The result? Optimizing the ads for Instagram Stories alone resulted in an 11 percent lift in sales (per Nielsen Catalina analysis).

But multiple scenes don’t have to have that kind of arc. Fashion, for instance, can turn multiple styles into multiple chapters. Topshop, for instance, uses a series of quick cuts to show different parts of its collection. A little vibrant. A little bit rock-and-roll. A uniting narrative that can include a half-dozen different pieces in one 12-second spot.

PLAY WITH IT

Here’s the thing about the Stories format: There’s always a new way to immerse viewers in your message. The best way to find out new best practices is to try a little experimentation. Mix and match different creative elements. Look for ways to bring some interactivity to your ads. Take advantage of native elements like stickers that your viewers might be using and incorporate them into your efforts.

Play. Make your Stories fun.

Of course, that doesn’t mean you have to incorporate the whole kitchen sink of Instagram elements into every one of your ads. Use them strategically so they add something to your overall storytelling.

That’s what Dunkin’ did. When Instagram released the polling sticker feature in ads, the Dunkin’ team tried it out immediately. It asked viewers to choose their favorite American classic – donut or fries. The polling feature let viewers see the overall vote tallies. But the message revealed something far more exciting – they didn’t have to choose. The ad showcased a new product that combined both, Dunkin’ donuts in an easy-to-eat french fry shape.

Ikea also did some experimenting with Instagram creative elements. This holiday campaign in Korea used stickers to add dynamic graphic elements to the different scenes. The goal: Make the stories more interesting so that viewers are more likely to engage with them.


Information source : Adweek, Kay Hsu (Global Director, Creative Shop)

25hours in 25 hours

Design and film studio From Form shows the hotel operator in a new film, hour by hour

Today sees the launch of ‘25hours in 25 hours’, a new film by design and film studio From Form & production company HALAL. Briefed to create a brand film that would communicate 25hours Hotels’ unconventional mix of contemporary services as a social hub, they partnered with From Form (Jurjen Versteeg and Ashley Govers) to bring to life their brand message in a dynamic, surprising and fun way.

Crafting a short film that would be representative of the diversity of the 25hours Hotels, share their story whilst visually be a reflection of their brand identity, From Form generated the idea of using 25 hours, literally, as the foundation of the film. Developing different styles, such as mixing animation, stop motion and real-life footage, and giving each hour and time of day a tempo and energy highlighting the time of day referred to, the film pushes the boundaries between reality and surreal. Each element of the 25 hours is a symbol of aspects important to the brand. Added up, the 25 components utilize expressions in craft and style to mirror a film that is as dynamic and diverse as the 25hours Hotels.

Bruno Marti, Chief Brand Officer, 25hours Hotel Company: “25hours has commissioned several films for different target groups over the years. Thanks to From Form, for the first time we have chosen a mixed technique approach and are more than happy with the result. The film showcases the variety of the 25hours brand and displays playfully our main initiatives.”

 
Information source : LittleBlackBook, Halal

Are You in a Possessive Monogamous Relationship with Your Beliefs?

Teodora Mizcov gives her thoughts on making friends and sticking to your values at the same time.

Humans are funny creatures. We think things and then we get attached to thinking them.

This attachment is oftentimes exaggerated - yes, we do need a compass that points towards our values, but we need to be flexible enough to consider the fact the compass might not be pointing due North...

What’s the cure to this boring and dangerous rigidity? I’d argue that it begins with a healthy dose of curiosity.

If you’re not curious, you’re just doing the same thing again and again. You’re hitting the ‘repeat’ button on your days, thoughts, beliefs - and the ‘delete’ button on anything new or disruptive.

So really, if you’re not curious, you are living in a mental Groundhog Day. Does that sound nightmarish enough? Then here are three very practical ways of injecting some curiosity into your life.

Use people like you would Google

If someone talks about something you’re not familiar with, ask them about it.

People are dying to talk about the things they are passionate about and often drop hints about these subjects in conversation - don’t let your ego get in the way of creating a more meaningful connection with them.

The words ‘I already knew that’ can kill anyone’s enthusiasm. Be interested - chances are they know some detail or have a take on that topic that you didn’t actually already know. Try the words ‘Yes and…’, then see their faces light up. (This is also an acting improv technique.)

Put it on ‘The Shelf’

Malcolm Gladwell has this fantastic metaphor he always uses. (I hope your curiosity inspired you to click that link...)

He says that he sometimes follows threads that he’s not sure he’ll be able to use in his stories just because of his curiosity. The catch is, he does end up using them - just months, years later in a way which he wouldn’t have even thought about when he pursued them.

He calls this collecting stories and putting them on ‘The Shelf’. The point is, don’t look for immediate gratification. Be an explorer of the human experience.

Disconfirm your opinions

This is my favourite game to play.

Develop the self-awareness necessary to identify when you are attached to your beliefs or when they might not be so valid - and then actively look for evidence to disprove them.

In one of my favourite quotes ever, Aristotle said that ‘It is the mark of an educated mind to be able to entertain a thought without accepting it.’

So go ahead and think thoughts that are not yours. Enter an open relationship with your beliefs. Flirt with that sexy strange idea that you only see come up when your mind is a bit hazy.

My Thoughts...

As a creative, i admit that sometimes its really easy to get stuck in our own perspective and when that happens, we usually try and force our ideas or perspective onto others and try and convince them. It a good practice to always adopt an open mind concept when we talk to other and who knows, we may actually learn something new or chance upon a new idea.

Information source : LittleBlackBook, Teodora Mizcov